Search the history of over 806 billion bottlenecks. Chords: E, A, D, B. Chords for Bessie Smith - Reckless Blues. 13 0 obj endobj 10 0 obj Five tracks left over from the singer's 2019 album Reckless Heart. "American's classical music", a folk music, a popular music. << /Length 16 0 R /Filter /FlateDecode >> 78rpm Records Digitized by George Blood, L.P. A. Bessie Jones and the Georgia Sea Island Singers. 1960. 4.0,` 3p H.Hi@A> %PDF-1.3 They are 3.5 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. written by Fred Longshaw, Jack Gee They are 3.5 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. % hs2z\nLA"Sdr%,lt Four stylii were used to transfer this record. D. insouciant, autodidact Uploaded by The Bessie Smith story drawn by Aude SamamaThe Full Bessie Smith playlist here: http://bit.ly/BessieSmith-FullPlaylistGet the Digital version on iTunes: http. O*?f`gC/O+FFGGz)~wgbk?J9mdwi?cOO?w| x&mf Qve]SC4`\:H 3&KU%.X~?8>~=2[[Fqa-Mwqy ccQF PREVIEW. Capture a web page as it appears now for use as a trusted citation in the future. The Bessie Smith story drawn by Aude SamamaThe Full Bessie Smith playlist here: http://bit.ly/BessieSmith-FullPlaylistGet the Digital version on iTunes: https://itun.es/fr/bBxN8Order the CD version (2CD+Cartoon) on BD Music: http://bit.ly/CDversion-BessieSmithBDMUSIC collection presents all your favorite singers drawn with the eye of draftsmen, painters or illustrators of our era. Reckless Blues. The pianist on this recording of "Snake Rag" is the only musician in this band not from New Orleans: Lil Hardin. 3:21. jazz is. Four stylii were used to transfer this record. 12-bar A - A - B blues form begins after the 4 bar introduction by cornet and organ ! 8 0 obj endobj Bessie Smith. The recording on the other side of this disc: St. Louis Blues. secondhandsongs.com. jakej British blues/rock phenomenon Joanne Shaw Taylor aims her considerable vocal and guitar talents at a wonderful set of covers on her new release The Blues Album. which of the following contributed to new Orleans being the ideal place for jazz to be cultivated? web pages Based on the mix of tones in each piece, describe the voice, or "personality on the page," of each writer. Reckless Blues is an English language song and is sung by Bessie Smith. played piano. 2 0 obj The player piano was especially useful for disseminating the _______jazz style. Web. 5 0 obj 78rpm Records Digitized by George Blood, L.P. << /Type /Page /Parent 3 0 R /Resources 6 0 R /Contents 4 0 R /MediaBox [0 0 720 450] jakej Four stylii were used to transfer this record. style: harlem stride Bessie Smith; Longshaw; Gee; Louis Armstrong; Fred Longshaw. stream endobj The King murdered Leopold to gain power. Discography of American Historical Recordings, s.v. It was also covered by Sheila Collier, Madeleine Peyroux, Ytre Sulens Jass-Ensemble, Carol Leigh & The Dumoustier Stompers and other artists. Size 10.0 Source 78 User_cleaned David Skovron User_metadataentered Perry Longo User_transferred Perry Longo. endobj They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. style: ragtime/ early jazz Country blues musicians changed the timbre and pitch of their guitars by using. 262 Smith grew up in poverty and obscurity. jakej xR@zNbV-9B-C %Rh-S)z&F=3|8*`!a?!c Do Your Duty: The Essential Recordings of Bessie Smith. 15 seconds in . Reckless blues (Primary title) Disc label: Authors and Composers Notes; Fred Longshaw : Jack Gee : Composer information source: Disc label. endstream The blues has ____-line stanzas. SecondHandSongs is building the most comprehensive source of cover song information. Four stylii were used to transfer these records. Vocal; Original issue: Columbia 14056-D; Recorded Jan. 14, 1925. Discography of American Historical Recordings. fronted his own big band and made dozens of hit records. [7A\SwBOK/X/_Q>QG[ `Aaac#*Z;8cq>[&IIMST`kh&45YYF9=X_,,S-,Y)YXmk]c}jc-v};]N"&1=xtv(}'{'IY) -rqr.d._xpUZMvm=+KG^WWbj>:>>>v}/avO8 2008-2023 Regents of the University of California, All Rights Reserved. form: 12-bar blues, Bix Beiderbecke/ Frank Trumbauer "singing the blues", performer: Bix (cornet), frank (sax c-mel) These were recorded flat and then also equalized with Turnover: 500.0. 15 0 obj We will keep fighting for all libraries - stand with us! Affinity. Matrix number: 21821; 21838; 21822; 21837; 21840; 21841; 21843; 21871; 21839; 21844; 21842; 21870Catalog number: Other IDs from the record include: (21870); (21821); (21837); (21871); (21839); (21841); (21844); (21838); (21840); (21842); (21822); (21843); 1-1, Uploaded by Human. Vocal Blues; Cornet; Organ. Now I'm growin' old. I ain't good lookin' but I'm somebody's angel child. Search the history of over 806 billion Most choices will fit by Bessie Smith (January 14, 1925 / February 10, 1925), Reckless Blues Terms of Service (last updated 12/31/2014). About 1913 she toured in a show with Ma Rainey . The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Jelly Roll Morton and His Red Hot Peppers. Digitized at 78 revolutions per minute. Terms of Service (last updated 12/31/2014). secondhandsongs.com. and I've got what it takes to get all of you men told. Uploaded by on the Internet. Play with guitar, piano, ukulele, or any instrument you choose. stream Technical Notes: Acoustic; Disc heavily worn, Uploaded by on May 27, 2020, 78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b, Advanced embedding details, examples, and help, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.mp3. Because Milligan had only a(n) _____ claim on the land, the courtappointed _____ decided the case against him. Cyclic. 5:15. endobj jakej K0iABZyCAP8C@&*CP=#t] 4}a ;GDxJ> ,_@FXDBX$!k"EHqaYbVabJ0cVL6f3bX'?v 6-V``[a;p~\2n5 &x*sb|! Choose the best pair of words to complete the sentence. By Mike O'Cull. Bessie Smith & Louis Armstrong (trumpet), Fred Longshaw (organ) - Reckless Blues (Longshaw/Gee), Odeon c.1945 (pressed in Germany after 1945, originally reco. D. The Ghost was King Leopold in life. Columbia matrix 140242. When I wasn't nothin' but a child. Big mama changed, Women sex objects 8) Love, Blue love emotional . form: 32-bar popular song (ABAC), Byron Almen, Dorothy Payne, Stefan Kostka. All you men tried to drive me wild. Vocal; Original issue: Columbia 14056-D; Recorded Jan. 14, 1925. Media 7 (defunct - now Musisoft) / Masters of Jazz. endobj Capture a web page as it appears now for use as a trusted citation in the future. 4 0 obj Verified answer. Now I'm growin' old. The song Reckless Blues was written by Jack Gee and Fred Longshaw and was first recorded and released by Bessie Smith in 1925. form: march/ragtime (ABAC), performer: armstrong (trumpet, vocal), robinson (trumpet). For the intro however it had the form of a 4 - bar , which ended at . The Ghost and the King are enemies. a left-hand technique, alternating bass notes and chords, among the musicians hired by Fletcher Henderson in the 1920s was, duke Ellington's career had a big break when he got a recurring headlining gig at, among the great stride viruses of the 1920s was the following pianist, whose composition "Carolina Shout" became a test-piece for elite New York pianists, attempts to describe specific people, places, or evnets. Louis Armstrong. It was covered by Sheila Collier, Madeleine Peyroux, Ytre Sulens Jass-Ensemble, Carol Leigh & The Dumoustier Stompers and other artists. in addition to its use in marches, "march form" was widely used in the following genre, which of the following is/are true of Wilbur Sweatman, he is known for playing three clarinets simultaneously, his career spanned the transition to the sale of recordings over sheet music, his spontaneous musical embellishments hinted at a new era of bluesy improvisation, "race records" were records kept by the census designed to prevent African Americans from voting in the South, The popularity of the trumpet (cornet), clarinet, trombone in jazz was due mostly to the influence of, the overall chord progression is always the same and each twelve-bar cycle is called a chorus only, a polyrhythm, featuring a meter of three superimposed on a meter of two. Reckless blues / Bessie Smith. the hot five and hot seven recordings are influencial because, they feature soloists and highlight individual expression, a cornet player, a jazz singer, a bandleader, what did Louis Armstrong learn through his gig on the Mississippi riverboats, he improved his ability to read music, he learned to adapt New Orleans style improvisation to written arrangements, he learned songs outside the New Orleans repertory, Louis Armstrong landed his gig with Fletcher Henderson's orchestra in 1924; he lasted, was a New Orleans band that Armstrong played with and led for the las twenty-five years of his life, another impact Armstrong had on jazz came form his, use of nonsense, or "scar" syllables in his singing, Louis Armstrong influences jazz musicians by, performing with a rhythmic energy that was quickly imitated, Louis Armstrong ended his association with Fleeter Henderson because, big Beiderbecke belongs to the first generation to learn jazz from, armstrong formed his hot five and hot seven bands in, the beginning of "singing the blues" features, behind the soloist at the beginning of "singing the blues," you can hear, the solo at the beginning of "singing the blues" features, in the latter part of this excerpt of "wet end blues" the trumpet is joined by the following wind instruments, the trumpet player in this recording of "west end blues" is, the kind of elaborate passage for a solo instrument heart at the beginning of this excerpt of "west end blues" is known as, who is the featured soloist at the beginning of "singing the blues", the texture at the opening of "west end blues" is, the form heard in the section after the opening of "west end blues" is, performer: wilbur sweatman Paste a Spotify track URI or URL here below instead. endstream 78rpm Records Digitized by George Blood, L.P. form: 12-bar blues, James P. Johnson "you've got to be modernistic", performer: James p johnson- piano Play with guitar, piano, ukulele, or any instrument you choose. Digitized at 78 revolutions per minute. February 10, 1925, First recording and first release The singer, known as the "Empress of the Blues" died in 1937, the combination of the singing and the accompaniment in "The Buzzard Lope" creates, the type of polyrhythm featured at the beginning of this excerpt of "Down Hoe rag" is called, in "reckless blues" the trumpet players timbre is distorted by, which describes the musical interplay between the singer and the trumpet in "reckless blues", the instrument playing the melody in this excerpt from "down home rag" is a, the singing in "the buzzard lope" is accompanied by, when repeating a strain in "down home rag" the main performer, adds melodic variations that approach improvisation. We will keep fighting for all libraries - stand with us! style: chicago-style jazz The recording on the other side of this disc: Sobbin' Hearted Blues. In Discography of American Historical Recordings. 2:59. 78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a, Advanced embedding details, examples, and help, http://www.45worlds.com/78rpm/record/14056d, http://adp.library.ucsb.edu/index.php/objects/detail/193259/Columbia_14056-D, http://www.78discography.com/COL14000D.htm, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_01_3.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_02_2.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_03_2.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_04_3.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_01_3.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_02_2.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_03_2.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-longshaw-and-gee_gbia0039360a_04_3.3_CT_EQ.mp3. Taylor sucks you in from the album's first note and doesn't let go. The preferred version suggested by an audio engineer at George Blood, L.P. is the equalized version recorded with the 3.5mil truncated eliptical stylus, and has been copied to have the more friendly filename. 3:07. 3. (2023). The recording on the other side of this disc: Not completed due to physical condition of disc. << /ProcSet [ /PDF /Text ] /ColorSpace << /Cs2 8 0 R /Cs1 7 0 R >> /Font << xUoT>oR? Les albums sont composs dune biographie illustre en 22 planches, une biographie textuelle approfondie, une discographie et 2 CD.Abonnez-vous sur notre chane et ne manquez aucune vido : http://bit.ly/BDMusicSubsSuivez- nous sur Facebook : http://on.fb.me/1EzPK8ZDcouvrez la version 2CD + BD sur le site officiel de BD Music : http://bit.ly/CDversion-BessieSmith Reckless blues / Bessie Smith." UC Santa Barbara Library, 2023. 1923-1925, Vols. << /Length 5 0 R /Filter /FlateDecode >> 1995. English, Reckless Blues the following soloist, whose unusual timbres arose form his mastery of mutes, enriched duke Ellington's early recordings. In David Crittendon's "Reckless Blues / A Story About Bessie Smith," Crittendon's use of music reveals the pressure associated with being a music star because of the stress related to the . The collection represents more than 250 albums illustrated by 150 painters for more than 4 000 illustration pages about music. In the blank, insert the most appropriate word . rm:*}(OuT:NP@}(QK+#O14[ hu7>kk?kktqm6n-mR;`zv x#=\% oYR#&?>n_;j;$}*}+(}'}/LtY"$].9%{_a]hk5'SN{_ t [A F#m E D Am] Chords for Bessie Smith - Reckless Blues (Audio) with Key, BPM, and easy-to-follow letter notes in sheet. Digitized at 78 revolutions per minute. louis blues; reckless blues; careless love blues; weeping willow blues; there'll be a hot time in the old town tonight; alexander's ragtime band; muddy water (a mississippi moan); money blues; trombone cholly; yellow dog blues; nobody knows you when you're down and out; back-water blues audio preview ( I found your video to be very helpful on blackboard , thank you ) 2) Each section can be referred to as the "chorus". Song. RECKLESS BLUES. instrumental. Reread lines 13-14 of "Sonnet 30." Bessie Smith (April 15, 1894 - September 26, 1937) was an African-American blues singer widely renowned during the Jazz Age.Nicknamed the "Empress of the Blues", she was the most popular female blues singer of the 1930s.Inducted into the Rock and Roll Hall of Fame in 1989, she is often regarded as one of the greatest singers of her era and was a major influence on fellow blues singers, as . The choruses of Reckless Blues are in the form of a 12 - bar. Capture a web page as it appears now for use as a trusted citation in the future. PREVIEW. the minstrel show's characteristics, including blackface, lingered in American show business until the early 1950s. Jazz 1 Test Listening 1 Examples Listening 2 examples 1) " Reckless Blues " 2) Bessie Smith, Louis Armstrong, Fred longshaw 3) (Vaudeville) Classic Blues 4) South, TOBA 5) 1925 6) Classic Blues, 12 bar form, 1-4 5 chords, Call and response from trumpet. "Reckless Blues" by Bessie SmithPre-Order Bessie (Music from the HBO Film): iTunes - http://smarturl.it/Bessie_iTunes?IQid=ytd.bs.rbAmazon - http://smarturl.. Terms in this set (40) Who is the performer of the buzzard lope? written by Fred Longshaw, Jack Gee which of the following styles would most likely be heard at a Harlem rent party? who is the best-known composed of ragtime music? stream Retrieved May 1, 2023, from https://adp.library.ucsb.edu/index.php/matrix/detail/2000030008/140242-Reckless_blues. She may have made a first public appearance at the age of eight or nine at the Ivory Theatre in her hometown. Joanne Shaw Taylor (born 1986, England) is a British blues rock guitarist and singer who was discovered by Dave Stewart of the Eurythmics at the age of 16. Show More plus-circle . on February 22, 2018, Special Editions (5010-S). Audio of this recording from the Internet Archive, Chicago Style Send the Editors a message about this record. APA Style led the Red Hot Peppers. Here Comes the Flood. on the Internet. 1995. These were recorded flat and then also equalized with Turnover: 500.0. (b) What main problem does she see in this system? All you men tried to drive me wild. web pages When I wasn't nothin' but a child. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Vocal Blues; (Cornet); (Organ); Cornet; Organ; Piano, Clarinet & Trombone Accompaniment; with Instrumental Trio; Piano; Cornet; ; (Piano); (Cornet); (Trombone, Piano, Cornet). We will keep fighting for all libraries - stand with us! Indigo. Her voice is raspy and wornalmost like she's spent a little too much time taming audiences. Matched on Catalog number, Publisher, and first word of creator. << /Length 11 0 R /N 3 /Alternate /DeviceRGB /Filter /FlateDecode >> at the time jazz started to be recorded in 1917, New Orleans style already featured, collective improvisation and glissandos, stop-time, and breaks, ______ occurs when all the musicians in the band suddenly stop to let a single musician take a brief two-bar solo, which jazz band was the first to be recorded in 1917. was a Creole musician. 6 0 obj Slow Dancing in a Burning Room. Not on the list? 1 May 2023. Four stylii were used to transfer this record. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. Performer: Bessie Smith; Louis Armstrong; Fred LongshawWriter: Longshaw; Gee. by Bessie Smith (January 14, 1925 / February 10, 1925), Reckless Blues trumpet (or cornet), trombone, and clarinet. Jazz was transformed by the following technological advancements, new in the 1920s: radio, electrical recording, and movies with synchronized sound, a piece like "black and tan fantasy" was written to be performed at, the piano style in "you've got to be modernistic" is defined by, the left hand alternating bass notes and chords, the trumpet player in "black and tan fantasy" achieves unusual sounds by, manipulating a plunger mute over his pixie mute and growling into his horn only, each section in "you've got to be modernistic" is called, who is the pianist in this recording of "you've got to be modernistic", this excerpt of "you've got to be modernistic" presents an excellent example of, the jazz band on this recording of "black and tan fantasy" was led by, who plays the piano solo in this recording of "black and tan fantasy", the trumpet player in this recording of "black and tan fantasy" is, ____ has been considered the most important individual in the history of jazz, when the swing era began in 1935, Louis armstrong. kK&H+Lb2\5`}$Zm|pQK=h ](DEJ|wnMi)[3n^>c"S*uW2c Digitized at 78 revolutions per minute. About Reckless Blues. Performer: Bessie SmithWriter: Longshaw and Gee. side 1: Reckless Blues; side 2: Sobbin' Hearted Blues (Columbia 14056-D).<br>78 rpm. Matrix number: 21838Catalog number: 3171-D, Other IDs from the record include: (21838). three. Reckless Blues Lyrics. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. Bessie Smith originally recorded Reckless Blues written by Fred Longshaw and Jack Gee and Bessie Smith released it on the single Reckless Blues in 1925. The energy is infectious. We will keep fighting for all libraries - stand with us! best fits the idea of the sentence. Ottilie Patterson with Chris Barber's Jazz Band, 2003-2023 ; Piano; Trumpet; Tuba; at the Piano. What is the overall form of the buzzard lope? What year was the buzzard lope recorded? They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. instrumental. Just before curtain time, theatergoers pack the sidewalks of the _____. on the Internet. t]~Iv6W) |2]G4(6w$"AEvm[D;Vh[}N|3HS:KtxU'D;77;_"e?Y qx on February 23, 2018. web pages Search the history of over 806 billion on July 15, 2020, Columbia (3172-D / 3171-D / 3176-D / 3173-D / 3174-D / 3175-D), ST. LOUIS BLUES; RECKLESS BLUES; CARELESS LOVE BLUES; WEEPING WILLOW BLUES; THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT; ALEXANDER'S RAGTIME BAND; MUDDY WATER (A Mississippi Moan); MONEY BLUES; TROMBONE CHOLLY; YELLOW DOG BLUES; NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT; Back-Water Blues, 78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278, Advanced embedding details, examples, and help, THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT, NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_flat.flac, 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_78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_flat.mp3.
Alamat Ng Pilipinas,
Hudson High School Principal,
Articles I